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Canon Powershot S95 |
Nikon Coolpix P7000 |
Panasonic Lumix DMC-LX5 | |
---|---|---|---|
Sensor | • 1/1.7" Type CCD • 10 million effective pixels • Primary Color Filter |
• 1/1.7" Type CCD • 10.1 million effective pixels • Primary color filter array |
• 1/1.63" Type CCD • 10.1 million effective pixels • Primary Color Filter |
Lens | • 3.8x optical zoom • 28-105mm (35mm equiv.) • F2.0-4.9 |
• 7x optical zoom • 28-200mm (35mm equiv.) • F2.8-5.6 |
• 3.8x optical zoom • 24-90mm (35mm equiv.) • F2.0-3.3 |
Image stabilization | • In-lens stabilization | • In-lens stabilization | • In-lens stabilization |
Battery life (CIPA) |
• 200 shots (approx) | • 350 shots (approx) | • 400 shots (approx) |
Video mode | • MOV [H.264 + Linear PCM (stereo)] • (HD) 1280 x 720 @ 24 fps • (L) 640 x 480 @ 30fps • (M) 320 x 240 @ 30fps • Miniature Effect (HD, L) 6fps, 3fps, 1.5 fps |
• MOV [H.264 + Linear PCM (monaural)] • HD: 1280 x 720 @ 24fps • VGA: 640 x 480 @ 30fps • QVGA: 640 x 480 @ 30fps |
• AVCHD Lite 1280 x 720 pixels @ SH: 17 Mbps/ H: 13 Mbps/ L: 9Mbps) US: 720p 60 (from 30fps sensor output) Motion JPEG: 1280 x 720 pixels @ 30fps • 4:3: 640 x 480 pixels, 320 x 240 pixels @ 30 fps • 16:9: 848 x 480 pixels @ 30 fps |
Movie REC button? | • No (shutter button initiates video in movie mode) | • No (shutter button initiates video in movie mode) | • Yes (shutter button also initiates video in movie mode) |
Rear screen | • 3.0 inch PureColor LCD II (TFT) Display • 461K dots |
• 3.0 inch LCD • 921k dots • 100% coverage in playback mode (97% in live view) |
• 3.0 inch TFT LCD Display • 460K dots |
Viewfinder | • No | • Built-in, optical | • Optional electronic DMW-LVF1 • Optional optical DMW-VF1 |
Metering modes | • Evaluative (linked to Face Detection AF frame) • Center-weighted average • Spot |
• Multiple • Center-Weighted • Spot |
• Intelligent Multiple • Center Weighted • Spot |
Flash | • Yes, built-in • 0.5 - 6.5m (Wide/ISO Auto) • 0.5 - 3.0m (Tele/ISO Auto) |
• Yes, built-in • 0.2m - 6.2m (Wide/ISO Auto) • 0.5m - 5.1m (Tele/ISO Auto) |
• Yes, built-in • 0.8 - 7.2m (Wide/ISO Auto) • 0.3 - 4.4m (Tele/ISO Auto) |
Orientation sensor | • Yes | • Yes | • Yes |
Connectors | • USB 2.0 High speed • AV Output (NTSC/PAL) • HDMI mini connector • DC Input |
• USB 2.0 High speed • AV Output (NTSC/PAL) • HDMI mini connector • DC Input |
• USB2.0 High speed • AV Output (NTSC/PAL) • miniHDMI • DC Input |
Dimensions | 99.8 x 58.4 x 29.5 mm | 114.2 x 77.0 x 44.8 mm | 109.7 x 65.5 x 43.0 mm |
Weight (body only) | Approx. 193g (0.4 lb.) | Approx. 310g (0.7 lb.) | Approx. 233g (0.5 lb.) |
Canon Powershot S95 - Pros
- Very good image quality, particularly at lower ISO settings
- Generally well optimized JPEGs with good color response
- High ISO performance good up to ISO 800 (and higher if processed from RAW)
- Sharp 28-105mm (equivalent) zoom range with effective stabilization
- Fast, responsive operation, and impressive buffer
- Good LCD screen - bright and high-contrast
- Exposure preview live view and accurate virtual histogram
- Effective manual controls (including excellent Control Ring)
- Face detection / tracking AF modes
- Compact, very well constructed
Canon Powershot S95 - Cons
- Tendency to underexpose when presented with large highlight areas (such as sky)
- AWB can deliver different color rendition depending on screen composition
- Fringing can be a problem around high-contrast edges (like foliage against a bright sky)
- No control over noise reduction (although noise is well controlled by default)
- Optical zoom and AF unavailable in movie mode
- Flash underpowered (but this is far from unusual)
- Manual focus preview too low res to be useful (and tends to give the false impression of being in focus)
- Lack of 'proper' grip can make handling awkward (especially one-handed).
- Relatively poor battery life
Nikon Coolpix P7000 - Pros
- Very good image quality, particularly at lower ISO settings
- Excellent video mode - including external mic socket, optical zoom and AF
- High ISO performance excellent up to ISO 800 (and higher if processed from RAW)
- Good flash metering
- Versatile (and sharp) 28-200mm (equivalent) lens
- Exceptional amount of manual control possible
- Good LCD screen - very high-resolution
- External mic socket and inbuilt stereo microphone
- RAW capability with decent RAW conversion software included
- Well-featured in-camera RAW conversion
- Useful electronic virtual horizon
- Well-proportioned hand grip
- Good battery life
Nikon Coolpix P7000 - Cons
- Bafflingly unuseful 'Fn' button
- 'Button lag' a depressing aspect of virtually any menu interaction
- Poor optical viewfinder (bordering on pointless)
- Occasional underexposure issues when presented with bright areas in a scene
- Unpleasantly yellow colors under tungsten lighting
- Bulky compared to competition (and lacks the articulated LCD screen of Canon's similarly-sized G-series)
Panasonic Lumix DMC-LX5 - Pros
- Very good image quality, particularly at lower ISO settings
- Versatile video mode and good video quality (although sensor blooming is an issue in some situations)
- High ISO performance very good up to ISO 800 (and higher if processed from RAW)
- Reliable focus and white balance (although colors can be rather cool in daylight)
- Extremely bright F2-3.3 lens
- Useful 24mm equiv. wide angle to 90mm (equivalent) range
- Accessible, quick-to-use manual controls
- Useful external aspect ratio switch
- High-resolution 16:9 and 3:2 aspect ratio modes (thanks to multi-aspect sensor)
- Exceptional amount of customization options
- Face recognition works well (more than just a gimmick)
- Decent handgrip (much better than LX3)
- iA mode very handy for snapshots
- Compact, very well built
Panasonic Lumix DMC-LX5 - Cons
- Poor buffer in RAW mode, rather uninspiring continuous shooting performance in general
- Color rendition can be rather cool
- Sensor blooming can be a problem in some video shooting situations (albeit extremely occasionally)
- LCD screen gives poor indication of actual exposure/color (especially outdoors)
- Rear dial can be rather awkward to manipulate with cold/gloved fingers
- 'silver on silver' rear control labels virtually unreadable
- Menus lengthy and can be confusing (in PASM modes)
- AF mode switch easy to knock by accident
- Fiddly lens cap design (we'd prefer an equivalent to Ricoh's LC-1)
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